A charismatic Muslim leader takes control of Egypt, Syria, and the
holy cities of Arabia, then leads a loosely-unified Muslim army to the
conquest of Jerusalem after years of non-Muslim rule. The Muslims leave
their enemies with only a desperate, tenuous hold on a few coastal cities. A
fragile coalition army from the West, led by the most talented military
commander of the time, storms into the area intending to reverse the Muslim
takeover of the city sacred to three religions.
This could be the scenario for a present-day thriller. But it is actually
a description of what history now calls the “Third Crusade,” a confrontation
between armies led by two towering figures of the Middle Ages—Richard the
Lionheart, and Saladin. The Swords of Faith is the story of the
collision between these larger-than-life leaders, both believing they were
destined by God to lead their holy armies to complete victory. The
resolution of their irreconcilable goals offers fascinating entertainment,
as well as insights that reverberate into the present day.
The Swords of Faith
is told from the viewpoints of Richard and Saladin, as well as through the
eyes of two fictional characters, a Christian knight, Pierre of Botron, and
an Arab trader, Rashid of Yenbo. The story begins with Saladin’s trap at The
Battle of Hattin, which ends with Pierre captured and enslaved. Pierre struggles to
rescue some dignity from his humiliation, and ends up with a fate he never
would have imagined. Rashid and Pierre cross paths, and their relationship
is the story of how common people of good will can prosper in the midst of
such a polarizing conflict. The story is true to history, with a number of
scenes dramatized from Christian and Muslim chronicles. Events build,
culminating with all four characters together as part of a dramatic
confrontation at one of the most well-known battles of “the Crusades,” the
Battle of Jaffa. And to a significant extent, their fates depend on the
choices they make between the compassionate and fanatic aspects of their
faiths.
EMAIL RICHARD WARREN FIELD